Paper

‘Branes: this series of three-dimensional drawings are based on ideas from two branches of science:
On a minute scale, they reference the study of crumpled paper as a part of Topology, the mathematical branch concerns the properties that are preserved through deformations, twistings, and stretchings of objects.

Telescoping over to the vast: the term ‘Branes refers to membranes in String Theory, an idea in physics which posits that our universe is one in a multiverse: part of a ‘bulk’ of ‘Branes. M-Theory attempts to explain how the 4 forces (gravity, electromagnetism, strong and weak forces) in the universe might be unified. It also suggests what we used to call the Big Bang is the result of two flat ‘Branes colliding, crumpling and producing all matter and constants we see around us. There is implied movement and force along with the aspect of the discarded, the frustrated, the left behind, the abandoned idea….

A crumple is the visual residue of a climactic event.

 


'Brane (Medium/Yellow)

‘Brane (Medium/Yellow)

India Ink on Crumpled Paper,wood base, 2014

 


'brane (Large/Red)

‘Brane (Large/Red)

India Ink on Crumpled Paper,mirror, 2015

 


'brane (giant/blue/iceberg)

‘brane (giant/blue/iceberg)

India Ink on Crumpled Paper,styrofoam and vintage coffee table plinth, 2014


web_cotton_candy_brane

‘brane (medium/candy)

India Ink on Crumpled Paper,mirror 2015

 


'brane (small/blue/white)

‘brane (small/blue/white)

India Ink on Crumpled Paper, ready-made base, 2013


'brane (small/grey)

‘brane (small/grey)

India Ink on Crumpled Paper, mirror, 2015


web_brane_sugared_almond

‘Brane (small/sugared almond)

India Ink on Crumpled Paper, mirror, 2015

 


'Brane (large/Grey)

‘Brane (Large/Grey)

India Ink on Crumpled Paper, mirror, 2016

 


SONY DSC

‘Brane (small/blue/reclining)India Ink on Crumpled Paper, ready-made base, 2013

 

 

 


‘Brane (Large/yellow/purple)

India Ink on Crumpled Paper,2015


web_brown_butterfly_brane

‘Brane (Small/Brown)

India Ink on Crumpled Paper, Mirror, 2014


web_red_small_brane

‘Brane (Small/Red/Yellow/Blue)

India Ink on Crumpled Paper,  2014


Plan B: Stirring Of Melts Using Rotating And Traveling Magnetic Fields, Phase 1: the Plan

Watercolor and Pencil on paper,

60 x 48 inches

2009


Towards a conceptual and operational union of bacterial systematics, ecology, and evolution

Watercolor, acrylic and pencil on paper,

25 X 36 inches, 2008

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Differential gene expression in response to mechanical wounding and insect feeding in Arabidopsis

Watercolor, acrylic and pencil on paper

25 X 36 inches, 2008

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Genomic imprinting and seed development: endosperm formation with and without sex

From the series: Allopolyploidy

Watercolor, acrylic and pencil on paper,

25 X 36 inches, 2008

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Expression monitoring by hybridization to high-density oligonucleotide arrays

From the series: Allopolyploidy

Watercolor, acrylic and pencil on paper

25 X 36 inches, 2008

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Evolution of trans-splicing plant mitochondrial introns in pre-Permian times

From the series: Allopolyploidy

Watercolor, acrylic and pencil on paper

25 X 36 inches, 2008

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Carbon Catabolite Repression Regulates Glyoxylate Cycle Gene Expression in Cucumber

From the series: Allopolyploidy

Watercolor, acrylic and pencil on paper

25 X 36 inches, 2008

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Primary structure of the Aequorea victoria green-fluorescent protein

From the series: Allopolyploidy

Watercolor, acrylic and pencil on paper

25 X 36 inches, 2008

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Effects of the Stochastic Parameterization Of Convectively Generated Gravity Waves On The Tropical Stratosphere In The Unified Model

Ink, pencil, colored pencil, and watercolor on cotton paper

28×19.5 inches 

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Liquidity, default and crashes endogenous contracts in general equilibrium

Watercolor and pencil on cotton paper

11×17 inches

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Exospheres In The Solar System: The Science Yield From Sodium Imaging Experiments

Ink, pencil, colored pencil, and watercolor on cotton paper

28×19.5 Inches

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On playing tennis with the net up: fiduciary obligations, contractual relations, and property rights

Ink, pencil, colored pencil, and watercolor on cotton paper

28×19.5 Inches

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 “Size-Based Analysis of Food Web Structure”

Pencil, colored pencil, and watercolor on cotton paper,  35 x 45 Inches

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